From 1959 Paris Review interview, The Art of Fiction
"I must confess that I’ve been a European since I was eighteen, and I think it is a grave national defect that we aren’t Europeans any more. We were talking today at lunch about Kingsley Amis. I was thinking about the anti-living-abroad trend or something—which implies a sort of unpatriotic attitude on my part—but, you see, my heroes of my generation—the Lawrences, the Norman Douglases, the Aldingtons, the Eliots, the Graveses—their ambition was always to be a European. It didn’t qualify their Englishness in any way, but it was recognized that a touch of European fire was necessary, as it were, to ignite the sort of dull sodden mass that one became, living in an unrestricted suburban way...I think that, as I say, in England, living as if we are not part of Europe, we are living against the grain of what is nourishing to our artists, do you see? There seems to be an ingrown psychological thing about it, I don’t know why it is. You can see it reflected even in quite primitive ways like this market business now—the European Common Market. It’s purely psychological, the feeling that we are too damned superior to join this bunch of continentals in anything they do. And I think that’s why it is so vitally important for young artists to identify more and more with Europe. As for me, I have joined the Common Market, as it were. But, mind you, that doesn’t qualify one’s origins or one’s attitudes to things. I mean if I’m writing, I’m writing for England—and so long as I write English it will be for England that I have to write".
Interview conducted on April 23, 1959
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