Opera and the Greek World During the Nineteenth Century

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CONTENTS 

Introduction 

Penelope Avouri, The reception of opera performances at Zakynthos, in 1880: social and financial parameters 

Spiros Deligiannopoulos, The operas of Giuseppe Verdi as being reflected in the piano works of Pavlos Carrer 

Stanimira Dermendzhieva, The contribution of the Hellenic diaspora to the formation of the Russian opera in the 19th and the early 20th century 

Κωνστάντζα Γεωργακάκη, Ο θίασος της Alice Reine στο θέατρο Φαλήρου. Η γαλλική «Αναγέννηση» στη φαληρική σκηνή 

Eleni Georgiou, Reflections of the philhellenic spirit in the Italian music theatre of the 19th century and the particular case of Rossini 

Stamatia Gerothanasi, Flora mirabilis by Spyridon Samaras: A cognitive approach on selected parts of the libretto 

Κωνσταντίνα Καρακώστα, Νικόλαος Δούμπας. Σκιαγραφώντας έναν φιλόμουσο μαικήνα Κώστας Καρασαββίδης,

Filippo Termanini: Μια πρώιμη πρόσληψη των Μυλωνάδων στην Κέρκυρα (1836) 

Kostas Kardamis, Domenikos Padovás: a “lesser” of an anniversary 

Eleni M. Kokkinomilioti, Spiro Samaras' career on the stages of Europe as a learning scenario incorporating sociopolitical, historical and cultural events 

Georgia Kondyli, The opera in Smyrna in the 19th century according to the Greek Smyrnian press 

Stella Kourmpana, Hermoupolis, the lost Atlantis of our musical culture 

Dionysios – Ioannis Kyriakoulis, The Life and Works of Georgios Sklavos 

Małgorzata Lisecka, The feminine art? On reinterpretation of opéra comique genre in Camille Saint-Saëns’s Phryné (1893) 

Αύρα Ξεπαπαδάκου, «Εκεί, στη Σαμαρκάνδη». Ευρωπαϊκοί περιπλανώμενοι λυρικοί θίασοι στην κοντινή και μακρινή Ανατολή Kωνσταντίνος 

Γ. Σαμπάνης, H κερκυραϊκή σαιζόν όπερας 1888-1889 

Andrea Sessa, The musical life in Greece in the 19th century in the pages of the Gazzetta Musicale di Milano (1842-1902) 

Summaries - Contributors