Inside the music
This was an extraordinarily powerful experience, with the Dorset County Orchestra playing with passion, dynamism and obvious commitment, in the
Dorford Centre, Dorchester . Congratulations to
all the musicians!
Normally I wouldn’t choose to sit so close to a symphony
orchestra - little more than a metre from the leader, Bärbel Glaser, and the soloist/conductor Arturo Serna (cello), but this proximity
provided total immersion in multi-phonic surround sound, with close-up views of
the brilliant and intense cello-playing in Joseph Haydn’s Cello Concerto No 2 in D major.
The sound was not too loud, the balance and instrumental
clarity felt just right (sitting two rows further back would have made little
difference, as there were only three semi-circular rows of seating available in
this contemporary church hall/auditorium, because of the room’s layout and the
space required by the orchestra).
Such a seating position might have diminished the overwhelming
impact of Beethoven’s Symphony No. 5 in C
minor (Opus 67), but it positively enhanced the excitement and drama of the
work. It was an unforgettable participatory musical experience, involving the
whole audience, as if we were all playing as members of the orchestra.
The programme opened with Carl Maria Von Weber’s overture to
Der Freischűtz.
An emperor couldn’t have asked for more.
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