Having had to wait several years to obtain an ACTT Film and Television Union ticket in the UK in the 1970s, without which I could not have practised as a film maker or film director in the UK (it was a "closed shop" union) - even though I had been to postgraduate film school-, I firmly believe in the importance of access and open professions.
It used to be said: "You can't make a film until you have a union ticket. You can't get a union ticket until you've made a film."
I eventually obtained my almost priceless ACTT film director's ticket, and faithfully paid my subs for years and years. As it turned out I had no need of it when I was filming in Africa. I was obliged to do any or all of the jobs that specialised individual members of a typical UK film unit would do, directing, scripting, sound, lighting, camera and editing.
Update: Since posting the above, I find that Richard Pine has also addressed the topic in an article in today's issue of The Irish Times.
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