Tuesday, 5 September 2017
Elizabeth Barrett Browning, Essay on the Greek Christian Poets
The essay was originally published in The Athenaeum, February and March, 1842.
Although Elizabeth Barrett Browning published "Riga's Last Song" in 1833, it seems a pity that she wasn't able to conclude her essay with mention of Solomos's Hymn to Freedom or of the odes of Kalvos - if, indeed, she was aware of their work.
It seems that she had decided to end her essay with the proud claim that Shakespeare and the English poets were the only true and worthy inheritors of the glorious legacy of the Ancient Greek poets and dramatists :
Monday, 4 September 2017
Dorchester, Dorset, 1635: "Sweetly scytuated in a pleasant valley"; Prisoners on Portland; Lieutenant Hammond; Daniel Defoe
See Topographical Writers in South-West England, edited by Mark Brayshay - University of Exeter Press, 1996, pages 81-89
On Portland: "A great Companie of Prisoners, digging, delving, haling, breaking and framing stones".
Two details from an illustration of Portland in David Burnett, Dorset Before the Camera, 1539-1855
"DAVID BURNETT founded the Dovecote Press in 1974 to publish the first of a series of books of old photographs recording life in Dorset".
I wonder if the prisoners hollered out any hammer or work songs in the Portland stone quarries, equivalent to those that Alan Lomax recorded in US State Penitentiaries in Mississippi and Louisiana
Early in the morning
Jumpin' Judy
Black Woman
Old Alabama
More from Alan Lomax's field recordings
Take This Hammer (Leadbelly)
County Farm Blues, Son House
Gaol Song, from A Dorset Book of Folk Songs, 1948
Daniel Defoe’s Dorset: Weymouth to Abbotsbury, Harry Bucknall, Dorset Life
Defoe in West Dorset, Dorset Life
Coker's Survey of Dorsetshire, Thomas Gerard; Weymouth and Dorchester
A Survey of Dorsetshire, Containing the Antiquities and Natural History of that County. ... And a Copious Genealogical Account of Three Hundred of the Principal Families.
Free e-book version
Extract, on Weymouth:
"Weymouth as nowe it is is but little, consisting chiefelie of one Streete, which for a good space lieth open to the Sea ; and on the back of it riseth an Hill of such steepenesse, that they are forced to climbe up to their Chappell by 60 Steppes of Stone, from whence you have a faire Prospect: of the Towne and Haven lieing under: And from the other side you may see Weeke, the Mother Church of Weymouth Melcombe on the other side, though the River much surpasseth the other for Conveniencie of Scite ; for this standing on a Flatte affordeth roome for Buildings, with a Market Place and convenient Streetes, and alsoe Yardes for their Wares, by meanes wherof most of the Marchants have chosen this for their Habitation, which of late Yeares is fairelie newe built. There antientlie was placed the Woolle Staple, but King Henry the Sixth took it from them, and gave it to Poole, when hee granted to it the Priviledges of an Haven. These Townes nowe united gaine well by Traffique into Newfoundland, where they have had 80 Saile of Shippes and Barkes ; as alsoe by a nearer Cut into France opposite unto them, when they returne laden with Wines, Cloth and diverse other useful Commodities, with which they furnish the Countrie".
For Dorchester, see pages 67-72
"DORCHESTER, a Towne of great Antiquitie, which Antonin in his Timerarium calleth Durnovaria. Well knowne it was in the Romans time...The Saxons, who succeeded the Romans, called it Dorchester, compounding the Name of the British Worde Doure, which signifieth Water, and Chester, a Citie ; for soe certainelie it was, and of large Circuit, as the Walles (whose Ruines in some Places yet appeare) will testifie : But the Danes longe sithence threwe them to the grounde, who, under their Leader Sweno, harried all these Partes; and, for Memorie of their Siege, Maundbury and Poundbury, two trenched Fortes adjoineing to the Towne, remaine till this Daye".
Tom Roberts, from Dorchester to Australia: Fake or Fortune? BBC TV
I found this compelling programme to be of particular interest (BBC iPlayer; available for 28 days).
BBC programme description:
"The team embark on a long-distance investigation to Australia as they try to prove that an online purchase from an English auction site is a lost work by Tom Roberts, considered one of Australia's greatest artists.
When Australian couple Joe and Rosanna Natoli came across a painting bearing the signature Tom Roberts on the website of an English auction site, they couldn't quite believe it. Roberts is considered one of Australia's most important artists - a pioneer of Australian Impressionism whose works hangs in major galleries. Even minor pictures sell for hundreds of thousands of pounds and the painting, a dramatic image of an anguished artist titled Rejected had all the hallmarks of a lost early work. After a fierce bidding war, Joe bought the painting, shipped it back to Brisbane and presented it to a leading expert on the artist's work - only to be told that it was not genuine.
This was just the beginning of Joe and Rosanna's troubles. Three years after they bought the painting, Joe's business went bankrupt and the family lost their home. Joe still firmly believes that his original hunch was right, and he has asked Fake or Fortune for help. As an early work by Tom Roberts, the picture could be worth over £200,000. If the team can prove that Joe was right all along, it might give the family a chance to secure a home of their own.
The team believes some of the answers to the mystery lie in Tom Roberts's time in England, where he trained at the Royal Academy in the 1880s. The quest for further proof takes them to Brisbane, Sydney and Melbourne, where they encounter several alarming fakes. Can the team find enough evidence to earn the painting a second hearing",
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