Thursday, 23 December 2021

Colin MacInnes, The Parthenon Marbles, 1957

 


"Greeks and Vandals", a controversial dialogue about the Parthenon Marbles, first published in Twentieth Century, July, 1957.

Republished by MacGibbon & Kee, 1961 and in Penguin Books,1966 (as England, Half English, A Polyphoto of the Fifties, with a new introduction by the author).













Saturday, 18 December 2021

Theodorakis, Britten and Bob Dylan: Poetry as Song


Just published: my illustrated article on Poetry and Song, Theodorakis, Britten and Bob Dylan:

https://c20ajournal.com/2021/12/18/theodorakis-britten-bob-dylan-poetry-as-song/


From ISSUE no. 5 of C.20 - an international journal. 

"This issue commemorates the late Mikis Theodorakis with an essay "POETRY AS SONG" by Jim Potts, who attended many concerts by Theodorakis in the 1970s and has been professionally involved with the composer's works. He celebrates Theodorakis' compositions for voice in the context of Benjamin Britten and Bob Dylan".


Saturday, 11 December 2021

Christmas Poem (from Words on the table)

 



Poem from Words on the table, Colenso Books

https://www.amazon.co.uk/Words-table-Poems-Jim-Potts/dp/1912788217/ref=sr_1_1?crid=20RA5RJ96YQYA&keywords=jim+potts%2C+words+on+the+table&qid=1639243286&sprefix=Jim+Potts%2Caps%2C158&sr=8-1

 

Words on the table

Top Amazon reviews from United Kingdom

Nangle Rare Books

5.0 out of 5 stars An Important Collection

Reviewed in the United Kingdom on 2 December 2021

This collection is a truly important one which reflects our relatively recent international and national history in a way few books of poetry can. Many of the poems are short and hugely digestible while others, longer, re-awaken the reader to memories too easily forgotten, such as the war in Sarajevo in the early 1990's. However, for this reader, Potts' poems inspired by the 'Blues' and its practitioners, such as Howlin' Wolf, stand out. These are memories that live happily in the heart and soul of anyone with a beating heart. His recollection of the moment Elvis died is worth repeating here: 'Of course Elvis' death was the talk of the town/I heard about it on the radio/whilst having a bath in Nairobi'. Julian Nangle


Mark Allen

5.0 out of 5 stars A real feast of poetry

Reviewed in the United Kingdom on 28 November 2021 

Words On The Table is a veritable feast of poetry, spanning many decades and forged from a life spent all over the world. Jim Potts’ poetry is rich and varied, with pithy and wry observations and profound comments about the state of the world. There is a restless quality to the poetry, a yearning for a better world and an admirable curiosity about areas of interest, like music, history and architecture. I thoroughly recommend this excellent book of poetry.


Dick Alford

5.0 out of 5 stars Journeys with Jim Potts

Reviewed in the United Kingdom on 4 December 2021

Jim Potts' poems take his readers by the hand and guide them around the world, visiting countries where he has lived- Greece and Czechoslovakia on the eve of the Velvet Revolution feature prominently- not forgetting Dorset his home now. His poems, especially the endings, keep us moving on, keen to see more places and meet new people, pleased to have been with him on his journeys.



Friday, 26 November 2021

Tuesday, 23 November 2021

Press Release from Colenso Books: WORDS ON THE TABLE, JIM POTTS

 

PRESS RELEASE

Words on the table, Jim Potts, Colenso Books, London, ISBN 978-1-912788-21-7

 



PRESS RELEASE

 

Words on the table, Jim Potts, Colenso Books, London, ISBN 978-1-912788-21-7

 

Words on the table, Jim Potts’ new collection of over 200 poems has just been published by Colenso Books. Alongside his previous Colenso Books collection, Reading the signs, the two books represent the author’s selections from six decades of poetry written in the many countries where he has lived and worked.

 

The author writes of revolutions, both ‘velvet’ and violent, military coups, Cold War encounters and unfolding historical events to which he was an eye-witness. He lays his cards on the table and “faces off” the Thought Police. He responds to the activities of the Secret Police who hovered in the background throughout the time he worked and travelled in Central and Eastern Europe.  Julian Nangle has written that the book is “truly important and reflects our relatively recent international and national history in a way few books can”.

 

To what extent the author “lays bare his soul” in Words on the table (which another reviewer believes he does) is left to the reader to decide.

 

A lover of the Blues, Jazz, Folk and ‘World Music’, Jim Potts’ poems and songs reveal his passions and diverse interests. Some poems may remind readers of the Beats and their celebrations of life on the road. A Greek poet and translator has compared him to a semi-nomadic “modern-day transhumant, a wry participant and observer of life and a bearer of memory”.

 

His years in Greece, Czechoslovakia, Central Europe and the Balkans have left their mark, as have his experiences in Sweden, the USA, Ethiopia and Australia, Aboriginal art clearly means a lot to him, as much as rock ‘n’ roll, William Barnes’ Dorset dialect poems, modern Greek literature and rebetiko songs.

 

As Michael Rosen has written, Words on the table is “a rich ride”. Many of the poems reflect a strong sense of ironic observation and humour.

 

When in Britain (whether in London, Oxford, Somerset or Dorset) or in Greece, Jim’s poems reveal a love of the countryside and seacoasts, and a deep commitment to environmental conservation. One strand running through his work, written at home or abroad, can be classified as eco-poetry. Another dominant strand is the emphasis on freedom of expression, which could not be taken for granted in some of the countries where he worked.

 

Words on the table is arranged in four sections, after the Introduction:

1. "Birth, life, death" (largely autobiographical and family-related);

2. Songs and singers (the author's songs, and poems about singers and other musicians from many cultures);

3. The written word (reflections on authors and writing);

4. Facing off the Thought Police (poems on censorship, political repression, assassination), followed by a "Postscript on Czechoslovakia" in prose.

 

Three books by Jim Potts have been published by Colenso Books:

 

Words on the table

Reading the signs

This spinning world, 43 stories from far and wide

 

All these books are available on amazon.co.uk, including Words on the table:

https://www.amazon.co.uk/Words-table-Poems-Jim-Potts/dp/1912788217/ref=sr_1_1?keywords=Words+on+the+table%2C+Jim+Potts&qid=1637422227&s=books&sr=1-1

 

In case of difficulty, contact colensobooks@gmail.com

 

Anthony Hirst, Colenso Books

 

Author page, Jim Potts: 


https://www.amazon.co.uk/Jim-Potts/e/B003N1JW2U%3Fref=dbs_a_mng_rwt_scns_share



Thursday, 11 November 2021

Demetris Dallas on my poetry! Words on the table (my new book, just published).

Demetris Dallas: 

“I have received your poems. Thank you for the sparse untarnished words from a septuagenarian heart…This may be the Taoist way to Art…”

 “A wry participant and observer of life: ‘a new kind of nomad’…one may not be wide of the mark to address him as a modern-day transhumant, and a bearer of memory…” 

“Deceptively simple and unassuming poems…almost tactile in their digging for what was and no more exists”.

 “An Oxonian bluesman in Memphis, Tennessee; a Ulysses of Paxos roaming East Africa; a Greek mountain-dweller in Dorset, Sydney and Stockholm: a gross of adventures for the price of a single book!

Thank you for your comments, Demetri! 

Demetris Dallas is writer and translator who lives in Corfu Town.







Saturday, 30 October 2021

Monday, 25 October 2021

JIM POTTS: NEW BOOK, "WORDS ON THE TABLE", Colenso Books

 Words on the table - laying my cards on the table and facing off the Thought Police!






Precious collection:





Sunday, 3 October 2021

John Farnleigh, Weymouth, Wood Engraving

 

John Farnleigh, Last Bus, Weymouth (1950)


A wonderful wood engraving by John Farnleigh

- and one which I have just acquired







Michael Church, Musics Lost and Found: Song Collectors and the Life and Death of Folk Tradition

 


BBC Radio 3 interview (from 17-minute point)

https://www.bbc.co.uk/sounds/play/m001074z

"Tom Service meets up with author Michael Church at Cecil Sharp House in London to talk about Michael's new book, Musics Lost and Found: Song Collectors and the Life and Death of Folk Tradition. Tom also talks to Veronica Doubleday about her many years of folksong collecting in Afghanistan, and her assessment of how the country's rich folksong heritage will be affected by its new government",


"This is the first-ever book about song collectors, music's unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs. Today's collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world's musical diversity, Michael Church suggests we may be seeing folk music's 'end of history'. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture. This ground-breaking book is the sequel to the author's award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever".  Text from Amazon.co.uk

https://www.amazon.co.uk/Musics-Lost-Found-Collectors-Tradition/dp/178327607X/ref=sr_1_1?dchild=1&keywords=Michael+Church&qid=1633253744&sr=8-1






Monday, 13 September 2021

Grapevines in the Village

 

Alas not there to harvest the bountiful crop.

Thanks for the photos, Fantina.




Mikis Theodorakis, IM

 

I have just remembered a poem I wrote in Addis Ababa in July 1974, published in Corfu Blues (the book) in 2006.




















Wednesday, 25 August 2021

USA, Roadtrip

 

A few images from my grandson's road trip across the USA. Just finished. He shared these photos:









Thursday, 19 August 2021

Martin Parr, West Bay. Seaside Photographs. Think of England.

The influential photographs of Martin Parr.



"West Bay was shot in the small Dorset seaside town, in the Summer of 1996. The series marks Martin Parr's first use of his now characteristic combination of ring flash and macro lens. The photographs focus on small details and strange nuances in this typically British seaside resort. The Rocket Press published West Bay in 1997 – Parr's first limited edition artists’ book in which the photographs were accompanied by specially commissioned contemporary poetry. Photographs from this series comprised Parr’s first commercial gallery show in London at Rocket Gallery",

http://www.martinparr.co.uk/west.htm

"Think of England is a mosaic of English clichés. From Socks and sandals to telephone boxes; top-hats to bacon sandwiches, Think of England asks, in an overwhelming display of saturated colour and kitsch, what it means to be English. The photographs in this series originate from throughout the 1990s when Martin Parr made countless trips to provincial towns and seaside resorts".

http://www.martinparr.co.uk/think.htm


Martin Parr publications:

http://www.martinparr.co.uk/publications.htm




.

Tuesday, 17 August 2021

St. George, Portland, Dorset. "Primitive Georgian". Gabriel Max.

 


Returning from Portland Bill yesterday, I decided to kook inside the redundant church of St. George.
















I was intrigued by this print, hanging close to the altar.

It is the work "Jesus Christus" by the Prague-born Gabriel Max (1874), later ennobled as Gabriel Cornelius Ritter von Max (1840-1915). The original painting is known as 
"Le Voile de Veronique", The Veil of Veronica.

It was sold at Christie's for 47,000 Euros:


Related work by other artists: